This course introduces the black speculative tradition from the nineteenth century to Black Panther (2018). Students will be notified via Connect email if a course in which they are registered is cancelled. Easy courses are mostly introduction courses. You can choose a minor subject to complement your major subject and you can, in certain cases, pursue a concentration or a specialization—a set of courses directed towards a designated […] Early Summer Courses | Full Summer Courses | Late Summer Courses *Denotes a course for which a portfolio submission is required. ENGL 6002, ENGL 6003 and ENGL 6004 are required courses. How is the new generation of American poets integrating song and rap into their work? Would you like to take those true things and make them sound truer than true? It offers hands-on practice in most of these areas. Along the way, students see how language plays an active role in both perpetuating and resolving communities’ thorniest social problems, in the past and in the present day. We will situate our readings within the science fiction/fantasy genre to investigate the ways black authors construct narratives about technology and the future to advocate for racial, sexual, and gender equality. The eighteenth and early nineteenth century saw the rise of the Gothic, a genre populated by brooding hero-villains, vulnerable virgins, mad monks, ghosts, and monsters. How did a genre once considered a source of moral corruption become a legitimate, even dominant, literary form? Prerequisite(s): Second-year standing or permission of the department. Prerequisites: One prior 6 credit English course or instructor permission. We examine the outlaw from several theoretical standpoints, including the postcolonial, anthropological, ecocritical, and gender studies perspectives. This can be traced to the publication of Salman Rushdie’s second novel, Prerequisites: One previous English course, Prerequisites: Not open to students who have taken ENGL 100.00 Fall 2016. Students who obtain satisfactory standing as determined by the graduate committee in these 5000-level courses may receive advance standing with transfer credit of up to 1.0 credit, which can reduce their time to completion if they are subsequently accepted into a Carleton University Master's degree in English. From fictional and creative nonfiction accounts of detention camps, border crossings, and asylum court proceedings to lyrical wanderings in bilingualism to demands for greater attention to Afrolatinidad and the particular experiences of Black Latinxs–Latinx voices are rising. Students will be actively involved in a full-scale Carleton Players production of the play. Please register if you'd like to upload a photo. English pages maintained by Meggan Clapp. Ottawa-Carleton District School Board » Secondary » Programs » Secondary School Courses The OCDSB secondary course guide is now online. We will attempt to determine what influence place has on human perception and behavior and study the variety of ways in which writers have attempted to evoke a “spirit of place.” Authors read will include Shakespeare, Hardy, Frost, Erdrich and Heaney. In this practitioner’s guide to the creative writing process, we will examine writings from past and current authors, and your writings will be critiqued in a workshop setting and revised throughout the term. We will examine the social, political, and aesthetic implications of a range of international stage, film, and literary versions as we consider how other cultures respond to the hegemonic original. A survey of the major forms and voices of nineteenth-century American literature during the Romantic and Realist periods, with attention to historical and intellectual contexts including ideas about race, class, gender, and the nature of democracy. (Syllabi are posted as they become available.) You can pursue an intensive Honours degree or a General program. You can apply directly to Carleton University by completing our International Student Application, available through your Carleton 360 account (processing fee: $100 CAD). How should what we learn of the past inform a modern production? Phone: 507-222-4322. Carleton was the first place to make me, an international student feel like I was on a level playing field with citizens and it offered me my first "real" job. Additional time required for viewing performances. Contemporary Indian writers, based either in India or abroad, have become significant figures in the global literary landscape. Authors to be read include Baraka, Ed Bullins, Countee Cullen, Douglass, Ellison, Nikki Giovanni, Hughes, Weldon Johnson, Larsen, and Wheatley. This course is an introduction to major works and authors of fiction, drama, and poetry from about 1900 to the present. This course is designed to demystify the practice of academic writing and to introduce students to the skills they’ll need to write effectively in a variety of academic disciplines and contexts. Precludes additional credit for ENGL 2602 and ENGL 2606 (no longer offered). Courses. This course will examine Anglophone fiction in the Caribbean from the late colonial period through our contemporary moment. Tag: English courses for Carleton University. Readings will include works by Blake, Wordsworth, Coleridge, Byron, Keats, Percy and Mary Shelley, and their contemporaries. Course descriptions are tentative and may be subject to revision; syllabi will be posted later in the year. We will engage the excess of the borderlands through a broad chronological and generic range of U.S. literary and visual texts. OR OR If you are applying to several Ontario universities, you can use the central Ontario Universities’ Application Centre (OUAC) online application, and select Carleton as one of your choices. The level of the course (second or third year) depends on the requirements of each program. The magazine had a cosmopolitan, international perspective but also reflected its origins in a small, leafy Midwestern college town. Works may include: the Bible, Shakespeare, De Quincey, Poe, Thompson, Capote, Tey, McGinniss, Auster, French, Malcolm, Wilder, and Morris, as well as critical, legal, and other materials. A survey of black British literature across Great Britain, focusing on regional identity and tensions between rural and urban spaces. We will explore the state both as a. This course is designed to develop the oral communication, reading, writing and media literacy skills that students need for success in their secondary school academic programs and in their daily lives. How shall I live?” This interdisciplinary course will investigate the works of the American Transcendentalist movement in its restless discontent with the conventional, its eclectic search for better ways of thinking and living. This course traces the development of the outlaw figure from Anglo-Saxon poetry through Irish and Icelandic traditions to the rebels that arose in the Middle English period. In this class we will study a wide range of her major work from the beginning of her career to the present, asking questions about genre, feminism, form, etc. An experiment in government, democracy also raised new questions about gender, class, and race. While her novels will be our focus, we will also read some of her poetry, short stories, and essays. You will have a chance to discuss the pressing issues and enduring ideas behind literature, as well as examine the ways in which books spring from cultural contexts and fit […] This course offers newer poets ways of developing poetic craft and vision. Guest speakers may include actors, critics, and directors. The Ottawa-Carleton District School Board’s English Program allows students to concentrate on English language skills. We will read writers such as Chinua Achebe, V.S Naipaul, Ngugi wa Thiong’o, Salman Rushdie, Nuruddin Farah, Arundhati Roy and Zadie Smith as well as some of the central works of postcolonial literary criticism. Reading both works composed in English and some in translation we will probe in particular the ways in which questions of language and national/cultural identity are constructed and critiqued in the Indian novel. The test report must be in English and the test date cannot be more than 24 months prior to application. Students may take up to 1.0 credit of approved courses offered in other departments. Creative Writing Courses. See what recent graduates are saying about Carleton University. Prerequisite(s): fourth-year Honours standing in English with a CGPA of 10.0 in English courses, and permission of the undergraduate supervisor. Students will attend productions of both classic and contemporary plays in London and Stratford-on-Avon and do related reading. An introduction to some of the major genres, texts, and authors of medieval and Renaissance England. Arabic at Carleton Overview Faculty and Staff Courses The Minor Information for First-Year Students Students talk about our program Resources Off Campus Study Events Middle Eastern Languages Middle East Studies It is to her well-crafted novels that we turn our attention in this course. Professor Michael Kowalewski teaches a variety of courses in the English department on nature and “place.” For several years now, he has included an annual fieldtrip to McKnight Prairie with students in his courses on American Nature Writing (236) and The American West (247) and in … Can you serve power without sacrificing your principles or risking your life? … By tackling the complexities of prosody, of textual transmission, and of Shakespeare’s highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. The course explores how issues of globalization, nationalism, translation (both cultural and linguistic), and (de)colonization inform our understanding of these wonderfully varied adaptations and appropriations. The Research Essay Option is open to students who have completed a senior seminar in the major by the end of fall term senior year. Readings include poetry, novels, and short stories by John Agard, Jackie Kay, George Lamming, Grace Nichols, Helen Oyeyemi, Samuel Selvon, and Zadie Smith, and foreground issues of race, ethnicity, gender, sexuality, and class. We will engage with current literary discussions in print, on twitter, and in literary journals as we chart the shifting, developing terrain of Latinx literatures. Please note: This page shows unofficial courses for upcoming terms. Her quirky, inimitable, and invariably memorable characters are fully committed to the protocols of the narratives that define them. They will help you achieve your goal of learning English as a Second Language while you have fun getting there. Students will refine persuasive skills through research, writing, and revising several major essays, through peer review and feedback from the professor. At the end of the nineteenth century, amidst legalized segregation and widespread racism, U.S. black writers undertook radical experiments in literary art. We will read Charles Chesnutt, W.E.B. Carleton’s English program ranges from some of the most famous names in English writing to lesser-known authors, taking into account regional, national and global perspectives. Samuel Johnson declared novels to be “written chiefly to the young, the ignorant, and the idle, to whom they serve as lectures of conduct, and introductions into life.” This course will explore what kinds of education the novel offered its readers during a time when fiction was considered a source of valuable lessons and a vehicle for corruption. Wallace Stegner once described the West as “the geography of hope” in the American imagination. Authors include Behn, Defoe, Haywood, Richardson, Fielding, Sterne, Walpole, and Austen. This course pays particular attention to the tradition of African American literary expression and the individual talent that brings depth and diversity to that tradition. In this class we will encounter some of his ancestors in stories, novels and comic books from the early decades of the twentieth century. Students will begin the term by designing an overall research topic in an area of their interests (not necessarily limited to literary studies or the humanities). A chronological survey of the whole of Shakespeare’s career, covering all genres and periods, this course explores the nature of Shakespeare’s genius and the scope of his art. We will read contemporary narrative theory by critics from several disciplines and apply their theories to textual and visual narratives such as literary texts, graphic novels, films, images, television shows, advertisements, and music videos. Creative Writing Courses: 2018-2019. How does Kendrick Lamar’s song “i” echo and update Walt Whitman’s “Song of Myself”? The S.C. English department offers a wide range of courses to meet the needs, abilities, and interests of diverse learners. Precludes additional credit for ENGL 3703 (no longer offered). Similarly, Arthur himself takes on multiple, sometimes contradictory guises—an enemy of the English and yet a symbol of England, the archetype of the perfect king but a champion of democracy, the epitome of Christian devotion yet suffused with pagan imagery. Works read will be primarily from the twenties and thirties and will include The Sound and the Fury, In Our Time, Light in August, The Great Gatsby, The Sun Also Rises, and Go Down, Moses. Stories to be read include those by Aksenov, Atwood, Beckett, Borges, Camus, Cheever, Cisneros, Farah, Fuentes, Gordimer, Ishiguro, Kundera, Mahfouz, Marquez, Moravia, Nabokov, Narayan, Pritchett, Rushdie, Trevor, Welty, and Xue. Some of the most enduring figures of the Middle Ages are Robin Hood and his Merry Men. What can and should be the role of literature in times of bitter political conflict? Be prepared. Carleton’s English program ranges from some of the most famous names in English writing to lesser-known authors, taking into account regional, national and global perspectives. The CTESL program includes courses in theory and methodology, as well as a practicum that includes opportunities for classroom observation and supervised teaching in a variety of settings. Creative Writing at Carleton. For students with some experience in writing poetry, this workshop further develops craft and vision. Coetzee, Junot Diaz, Esi Edugyan, Nuruddin Farah, Yaa Gyasi, Dinaw Mengestu, Chigozie Obioma, and Zadie Smith. This interdisciplinary course will explore one of Shakespeare’s most controversial and complex plays, The Merchant of Venice. In this course we will study the majority of the oeuvre of Zadie Smith, a writer who stands at the intersections of a number of traditions of literary study as traditionally construed. At the same time, advances in cognitive neuroscience have deepened our understanding of reading as a mental process. Jorge Luis Borges is quoted as saying that “unlike the novel, a short story may be, for all purposes, essential.” This course focuses attention primarily on the short story as an enduring form. You will learn to use computing […] Workplace English. Attention will be paid to all the elements of fiction: characterization, point of view, conflict, setting, dialogue, etc. From the ancient Greeks to the Bible to the modern serial killer novel, murder has always been a preeminent topic of intellectual and artistic investigation. Department of English Language and Literature Spenser’s romance epic: an Arthurian quest-cycle, celebrating the Virgin Queen, Elizabeth I, and England’s imperial destiny. Our focus will be on contemporary writers who tend to localize the global and/or globalize the local in their decidedly textured fiction and nonfiction published since 2001. This page was last updated on 8 January 2020. Please note that the course syllabi listed might represent only a tentative draft, so be sure to check with the professor before purchasing textbooks. Prerequisite: One English foundations course and one other 6 credit English course or instructor permission. These seminars address a wide range of topics and are taught by faculty in departments across the College. As the range of computer applications continues to expand, so does the demand for computer scientists. When medieval writers imagined worlds beyond their own, what did they see? Precludes additional credit for ENGL 4407 (no longer offered). (Faculty of Arts and Social Sciences), Summer session: some of the courses listed in this Calendar are offered during the summer. Summer session: some of the courses listed in this Calendar are offered during the summer.Hours and scheduling for summer session courses will differ significantly from those reported in the fall/winter Calendar. Here are what 10 of the easiest introduction courses, related to different programs and faculties, are all She is fearless in her choice of subject matter and boundless in her thematic range. No prior experience with Shakespeare is necessary. Currently, I am in my Masters in Communications, working as a teaching assistant and a part-time student fundraiser and I am thinking, I may stick around a bit longer even after my degree :). It attends to the processes of copying, revision, editing, and circulation; familiarizes students with the disciplines of descriptive bibliography, paleography, and textual criticism; and introduces the principles of editing, in both print and electronic media. Readings will include works by Alfred Tennyson, Robert Browning, Oscar Wilde, Matthew Arnold, Dante Rossetti, Christina Rossetti, Charles Dodgson (Lewis Carroll), Gerard Manley Hopkins, and others, as well as cultural images and documents. Computers and computer systems play a central role in business, communication, science, entertainment and medicine. We will set out after Herman Melville’s sublime romance of whale-hunting, researching as we go the myriad cultural contexts that speak within it– romanticism, nationalism, humanism, religion, idealism, capitalism, science, race, labor, gender, sexuality, masculinity, whiteness. This course will examine these questions and the theoretical and interpretive frames in which these writers have often been placed, and probe their place in the global marketplace (and awards stage). Each student will write and have discussed in class three stories (from 1,500 to 6,000 words in length) and give constructive suggestions, including written critiques, for revising the stories written by other members of the class. Not open to first year students. Prerequisite(s): third-year standing or permission of the department. We will visit the lands of the dead and the undead, and compare gruesome punishments and heavenly rewards. *Please note: Final syllabi are posted as they are received. Preserved thanks to the literacy which was brought by the new religion that extinguished it, the mythology of the Irish, Welsh, and Icelanders left a legacy that reveals itself in surprising places in our modern world. You will work in several genres and forms, among them: traditional and experimental poetry, prose fiction, and creative nonfiction. Carleton Glenn Golf Course: Address, Phone Number, Carleton Glenn Golf Course Review: 4/5. Second Year | Third Year | Fourth Year Lectures | Fourth Year Seminars Second Year COURSE TITLE INSTRUCTOR TERM ENGL 2005A Theory and Criticism Johnson, B. King Arthur is a figure from Western tradition whose name conjures a clear series of associations: the Sword in the Stone, the Round Table, the Holy Grail. Weekly film showings will include, An interdisciplinary exploration of the ways in which California has been imagined in literature, art, film and popular culture from pre-contact to the present. Precludes additional credit for ENGL 3002 (no longer offered). Along with teaching phonology, the basics of Old and Middle English, and changes in morphology, pronunciation and vocabulary over time, the course will explore how language both shapes and is shaped by society. We will endeavor to notify students of any cancellations as soon as possible. The early twentieth century offers new genres: immigrant novels and popular poetry that reveal the nascent Latino identities rooted in (or formed in opposition to) U.S. ethics and ideals. We will read a selection of eighteenth- and nineteenth-century novels, considering how they engage with contemporary educational theories, notions of male and female conduct, and concerns about the didactic and imaginative possibilities of fiction. English language and skills to succeed in high school or the workplace; Pathway to Education & Employment. Not Offered at this time. Approximately 22% of our graduate student population is made up of international students and many of our other ENGL 204: History of the English Language This class teaches the history of the English language through the prism of sociolinguistics. This makes it a good moment to consider how we read now and how we read in the past. We will consider a range of texts (in fiction poetry, drama, nonfiction) that explore the intangible and multifaceted nature of “place” in literary works. United States ; Michigan (MI) Carleton ; Things to Do in Carleton ; Carleton Glenn Golf Course; Search. How do American authors “write the city”? This course will serve as an introduction to Bollywood or popular Hindi cinema from India. What you will learn: This course is for students with specific goals for further education or employment. English Language and Literature 1812 Dunton Tower Carleton University 1125 Colonel By Drive Ottawa, ON, K1S 5B6 english@carleton.ca Phone: 613-520-2310 Fax: 613-520-3544 Hours: 8:30-16:30 View Map | Contact Us Monday to Friday. We will explore how writers such as Twain, Cather, Stegner and Cormac McCarthy have dealt with the geographical diversity and multi-ethnic history of the West. In first year, your classes will typically have a lecture and a lab or tutorial component. Prerequisites: One prior 6-credit English course. ENGLISH as a SECOND LANGUAGE COURSE (ESLA Course): To be eligible to take an ESLA course, an official Proficiency Test report (TOEFL, IELTS, CAEL) is required (no exceptions or substitutes). English promotes reading subtle and complex texts and writing clear and persuasive prose. English. By tackling the complexities of prosody, of textual transmission, and of Shakespeare’s highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. Precludes additional credit for ENGL 3304 (no longer offered). Precludes additional credit for ENGL 1000 (no longer offered). Students will collaborate on a digital storytelling project. Precludes additional credit for ENGL 4808 and ENGL 4809 (no longer offered). Know more about Carleton University on … Du Bois, Pauline Hopkins, and Ida B. 16 months Tuition. The course’s broader aims will be complemented by an introduction to the concept of genre and by the cultivation of the relevant skills of literary analysis. And the novelistic site becomes a stage for Morrison’s virtuoso performances. Varied readings – journalistic and scholarly – as well as our own experiences, will inform discussion of the impact of globalization on particular issues, such as economic and social justice, national sovereignty, sustainability, and human rights in the context of economic interdependence and instant communication across the globe; topics this year will include gender, winners and losers, COVID-19, and the Black Lives Matter movement. Films will include: Sunset Boulevard, Chinatown, The Grapes of Wrath, Zoot Suit, and Blade Runner. This class teaches the history of the English language through the prism of sociolinguistics. This course engages the borderlands as space (the geographic area that straddles nations) and idea (liminal spaces, identities, communities). Readers encounter knights, ladies, and lady-knights; enchanted groves and magic castles; dragons and sorcerers; and are put through a series of moral tests and hermeneutic challenges. Department Chair: Gregory Hewett. Authors include Richardson, Lennox, Austen, Edgeworth, and Dickens. The wilds of Afghanistan, the African forest, a prehistoric world in Patagonia, the opium dens of mysterious exotic London–these will be but some of our stops as we examine the structure and ideology and lasting legacy of the imperial adventure tale. In this course we will examine the beliefs, practices, and relationships that shaped the Irish historical experience, providing students with an historical grounding for their explorations and studies in Ireland. Required of students majoring in English, this course explores practical and theoretical issues in literary analysis and contemporary criticism. We will explore this paradox by examining both popular mythic conceptions of the West (primarily in film) and more searching literary treatments of the same area.